An singular career…
Painting and creation in general have always occupied the artist’s life. After law studies at the University of Lausanne, during which she always had her brush to hand, followed by a doctorate, in 1983 she went to the Istituto per l’arte e il restauro in Florence. Having qualified as a lawyer, she took a sabbatical year in order to devote herself entirely to painting. She spent a good part of that year in New York, at the studio of Richard Pousette Dart, the youngest representative of abstract expressionism. On her return, she divided her time between practising at the Bar and painting, finally deciding in 1993 to give up her law practice and paint full time.
a creation that questions our ability to open up to living things
The artist invites us to marvel at the complexity of nature and take inspiration from it to solve the environmental problems threatening our planet and our humanity.
Nature, observation of it and of its creative ingenuity have been and remain her guides. Trees in particular, stretched between two opposing forces, both vital for its growth, have always filled her with wonder. From 2010, trees are at the very heart of her aesthetic research.
In 2018, the artist decided to contact researchers in order to share with them her dazzling insights and her environmental concerns, and develop a synergy that might be accessible for the public. In 2021, the exhibition “AND WHAT ABOUT TREES TOMORROW?” at the Espace Arlaud, a museum in the center of Lausanne (Switzerland) gave concrete expression to this new departure. In 2023, she extended her aesthetic research to all living things.
Read how others see the artist’s work:
- The artist’s work as seen by the art historian Nadia Vuilleumier (in french)
- The words in the artist’s works by Avî Cagin (in french)
Bibliography | THEN COMES SUMMER Mont.s.Lausanne 2016, 110 p. Read the book |
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TREES AND POETS Mont.s.Lausanne 2021, wooden box, 85 p. Extracts from the box |
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Personal exhibitions | 2023 | Atelier de Grandvaux (small formats) | Switzerland |
2021 | «Et les arbres demain?», Espace Arlaud, Lausanne | Switzerland | |
2019 | Musée botanique, Lausanne, guest artist at the DurArbrilité exhibition | Switzerland | |
2018 | Atelier de Grandvaux (small formats) | Switzerland | |
2017 | Galerie Artesol, Solothurn | Switzerland | |
2016 | Fondation l’Estrée, Ropraz | Switzerland | |
2014 | Haute École Pédagogique, Lausanne | Switzerland | |
Fondation Siloah, Gümlingen, Bern | Switzerland | ||
2013 | New Hall Art Collection, Cambridge | United Kingdom | |
2012 | Flon-Art, Lausanne, Mezza Voce II | Switzerland | |
2011 | Atelier de Grandvaux (small formats) | Switzerland | |
2010 | Atelier de Grandvaux (small formats) | Switzerland | |
2009 | Galerie Edouard Roch, Ballens | Switzerland | |
2007 | Atelier de Grandvaux (small formats) | Switzerland | |
2005 | Fondation l’Estrée, Ropraz | Switzerland | |
2004 | Galerie Pomone, Lutry | Switzerland | |
1999 | Ferme de la Chapelle, Grand-Lancy, Geneva | Switzerland | |
1997 | Galerie Planque, Lausanne | Switzerland | |
1994 | Galerie Planque, Lausanne | Switzerland | |
1992 | Galerie Planque, Lausanne | Switzerland | |
1989 | Galerie Point, Lausanne | Switzerland | |
1987 | Galerie France, Lausanne | Switzerland | |
Collective exhibitions | 2019 | Fondation l’Estrée, Ropraz | Switzerland |
2016 | Ferme de la Chapelle, Grand-Lancy, Geneva | Switzerland | |
2014 | Villa Dutoit, Geneva | Switzerland | |
2010 | Ferme de la Chapelle, Grand-Lancy, Geneva | Switzerland | |
2006 | Galerie Suisse des arts, Lausanne | Switzerland | |
2003 | Fondation l’Estrée, Ropraz | Switzerland | |
2000 | Galerie Nane Cailler, Pully | Switzerland | |
1999 | Galerie Planque, Lausanne | Switzerland | |
1996 | Galerie Planque, Lausanne | Switzerland | |
1994 | Galerie Planque, Lausanne | Switzerland | |
1993 | Galerie La Ratière, Romont | Switzerland | |
1983 | Art Students’ League, New York | USA | |
Public collections | Banque Raiffeisen, Moudon | Switzerland | |
Hôpital Rive-Neuve, Blonay | Switzerland |